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| About HOLLER! |
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THE NEW TIMES
HOLLER! is an online newspaper that looks into
social, scientific and cultural events and the individuals and concepts
involved in them. The publication’s investigations sometimes
reach for the intangible, asking readers to fathom hurricanes, the
meaning of the imagery in sidewalk cracks, and the plight of a grain
of rice. Nowadays THE NEW TIMES HOLLER! is the written word distributed
through an Email list. The newspaper began as mixed media sculpture
with each letter hand stamped onto aluminum plates and inked. Here
are two examples of the earlier visual editions, The Media Trial
of J.J. Fauntleroy, and “Where Have All the Homeys Gone?”
aluminum, copper, brass, acrylic, plywood and ink, both done in
1995.
The Media Trial of J.J. Fauntleroy is the
story of a 1960s skillsies champ and movie star who was accused
of murdering his wife after his Jeri Curls were found on the bodies
of her and a friend in J.J.’s kitchen. It was part of a retrospective
of work by Amir Bey held at The Emerging Collector gallery, New
York, New York. |
| THE MEDIA TRIAL OF J.J. FAUNTLEROY
- 1995 |
WHERE HAVE ALL THE
HOMEYS GONE? |
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Long time passing! This
"interview" is taken from a series of conversations Amir
Bey had with a Viet Nam vet -called here "10-4", who had
been a post office police officer and currently an unemployed methodone
user, whose brother's entire family (wife, two children, and finally
himself) died from AIDS. While he was the curator of the Bronx River
Art Center and Gallery, Bey noticed that many of the people he used
to see congregate along the side of the building were no longer around;
10-4 clues him in. (click
to view full article) |
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| About Amir Bey! |
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Mixed
media sculptor, curator, writer, astrologer and storyteller Amir Bey
has worked with musicians and performers since the 1970s, including
set designs for Idris Ackamoor and Rhodessa Jones of Cultural Odyssey,
Maria Mitchell of Black Pearl Dance Co., and Lorna Littleway. Amir
is based in New York City, where he has organized exhibitions since
1989. He has exhibited in Turkey, Japan, Spain, Martinique and Germany.
|
| AT GIZA |
| His “Procession
of Folk #3”, a series of 12 faceted glass windows, is a permanent
installation at the Mount Eden station on the #4 line in the Bronx.
Amir works in stone, wood, silkscreen, papier mache, video, copper,
bronze, life casts and mixed media installations. Amir was the curator
at the Bronx River Art Center and Gallery from 1989-99, where he organized
performances that featured Billy Bang, Roy Campbell, Maria Mitchell,
Craig Harris, Joseph Jarman, Jeanne Lee, Nayo, The Alien Comic, Tomas
Ulrich, Milene Bey, Will Connell, and many others. |
.jpg) |
| |
IN SYNERGY
COSTUME |
.jpg) |
He
has produced and broadcast radio programs at KPFA-FM in Berkeley,
where he produced Black Air, shows in The Souls of Black Folk, 3rd
World News, and astrology programs, and “Parallels between the
US and South Africa at WBAI-FM in New York. His tarot, The Equinox
Celebration Tarot, appears in The Encyclopedia of Tarot, Volume IV;
he has worked as a professional astrologer since 1973. A retrospective
slide show of his work can be viewed at http://www.myspace.com/amirbey
and imagery and writings on astrology and Egyptology can be viewed
at amirbey.com.
His most recent collaborative work is with the alto saxophonist and
composer Saco Yasuma for the ensemble SYNERGY Sight and Sound, designing
costumes, instruments, and set designs |
| “AMON'S HANDS” - FACETED
GLASS, 2006 |
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